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Hobbies


Rekindling Hobbies After Stroke: practical ways I make them mine again.

Losing the things I love hurt more than I expected. My hobbies were how I relaxed, expressed myself, and connected with people. After my stroke, they became a reminder of what felt lost. Over time, I learned that I do not have to give them up. I can reshape them. Below is how I personally approach art, reading, textiles, and other pastimes, with simple adaptations that honour my new body and brain. Use what works for you, park the rest, and come back later. Progress often looks like five quiet minutes at first. That still counts.


Foundations that can help most hobbies

  • Start tiny, finish strong: I set a five to ten minute timer. Stopping while it still feels good makes me want to return tomorrow.
  • Reduce the friction: I keep a “ready kit” for each hobby, for example a pencil roll and an A5 sketchbook, a charged e-reader, a guitar on a stand, a small knitting pouch. If it is easy to start, I start.
  • Make tasks one-hand friendly: Trays with non-slip liners, clamp stands, and Velcro or magnetic fixings free my working hand for precision.
  • Sit well, spare your energy: Neutral posture, feet supported, forearms resting on a cushion or desk, and items placed within easy reach. Fatigue drops, control improves.
  • Rhythm before intensity: I schedule short, regular sessions instead of rare long ones. Consistency rebuilds skill.
  • Track wins you can feel: I note one thing that went better than last time. Confidence grows from evidence.
  • Invite my team: Family or friends can help set up, wind yarn, tune a guitar, or tidy away. The creative bit stays mine.

Art, drawing, and painting

What changed for me: grip, fine control, visual attention, and fatigue.

What I do now

  • Tools that stabilise: weighted pencils or triangular grips, brush holders, pencil extenders, wrist splints, and a drawing board tilted 15 to 30 degrees so my shoulder stays relaxed.
  • Bigger, simpler strokes first: charcoal blocks, thick markers, paint sticks, or soft pastels let me work from shoulder and elbow. Detail comes later with fineliners.
  • Anchor the paper: low-tack tape or bulldog clips on a board. No paper chase across the desk.
  • Use guides: light pencil grids, stencils, or tracing over a printout to reclaim line confidence.
  • One-hand palette: a clip-on water pot and a damp sponge instead of open jars. Wipe, do not rinse.
  • Micro-projects: postcards, ATCs, or a sketch-a-day box. Finishing small work is a powerful morale lift.

Mood tip: I name the session by the verb, not the result, for example “I sketched for 7 minutes today”. That is success.

Reading, focus, and memory

What changed for me: eye fatigue, attention span, and recall.

What I do now

  • E-reader advantages: large font, increased line spacing, warm light, and a single-hand page button.
  • Audiobooks and text-to-speech: perfect for tired days or double-tasking with gentle exercise.
  • Chunking: I read in scenes or sections, not chapters. I stop at natural breaks and jot one-line summaries on sticky notes.
  • Visual bookmarks: coloured tabs for character lists, maps, or key ideas.
  • Recap ritual: before I start, I read my last two sticky notes to re-enter the story quickly.
  • Book clubs on my terms: I choose short stories, essays, or poetry so participation feels doable.

Confidence tip: Swapping medium is not cheating. Listening is reading.

Knitting and sewing

What changed for me: fine motor control, tension, and bilateral coordination.

What I do now

  • Choose forgiving projects: chunky wool, big needles (6 mm and above), and simple textures like garter or rib. Progress shows quickly.
  • Needle and wool stability: ergonomic needles with grippy coating, needle stoppers, and a wool bowl or clip to control feed so my working hand does less.
  • One-hand adaptations: loom knitting, knitting boards, or a knitting belt to anchor a needle at the waist. Tunisian crochet can feel steadier than traditional crochet.
  • Pre-flight setup: a small tray for notions, project bag with only what I need, and patterns printed large with highlighter marks.
  • Count without counting: row counters, lifelines, and stitch markers every 10 stitches. Mistakes become easy to rescue.

Community tip: swapping to loom knitting still makes you a knitter. The joy is in the making.

Other hobbies, same mindset

  • Photography: use a neck strap, set auto-ISO and aperture priority, and map key functions to one custom button. A smartphone with a pop-socket or grip case is excellent.
  • Gardening: raised beds, long-handled tools, and a lightweight folding stool. I garden in 15 minute “pots”, one task per pot.
  • Cooking for pleasure: bench scrapers, rocker knives, and induction hobs for safety. Prep seated. Batch small.
  • Board games and puzzles: large-print cards, card holders, and co-operative games so success is shared.
  • Writing and journaling: speech-to-text for drafts, then short edits by hand for fine control practice.

Managing fatigue and spasticity while you create

  • Warm up, cool down: gentle wrist circles, finger extensions, shoulder rolls before and after.
  • 90 percent rule: I stop when I still have 10 percent energy left. This prevents flare-ups.
  • Task switch: when my hand tightens, I switch to a different part of the hobby, for example from playing to listening, from knitting to pattern marking.
  • Soothe signals: heat packs, a soft ball squeeze, or a few minutes with the hand open on the table helps reset tone.

Keeping the heart of the hobby

Purpose: I remind myself why I loved it. Was it calm, connection, play, or pride in finishing? I design my session to hit that purpose first.

  • Identity: I am still an artist, reader, musician, and maker. My methods changed. My membership did not.
  • Sharing: I show close friends the work in progress, not just polished results. Letting people in builds support, not judgement.